A zombie is traversing town, dragging his heavy body through narrow lanes full of tribesmen billowing to the sounds of the shopping dance. He staggers down an alley with stiff legs, as if walking on stilts. His gaze is firmly directed at an infinity that is eclipsed by the urban landscape. He is a world of one, oblivious of the bustle of heated commercial activity, a mechanic man in a soup of floppy toys.
I notice him when he bounces into a flock of elderly ladies with silver hair and shopping bags of nauseating fluorescent beige. I raise my head and look through the foggy windows of a cozy teahouse when I hear the dull chatter of subdued anger, an emotion that the British are masterfully adept at expressing stealthily. A scene of minor mayhem unfolds outside.
After smashing into the first two ladies and nearly spilling them onto the wet cobbles, the zombie just marches on, not noticing the hot hisses of reproach behind him. A few moments later, he is gone, engulfed by the Sunday-afternoon crowd that fills the space between the shops to either side most efficiently. The physics are bewildering.
Crowd displacement is a science that is poorly understood and incompletely reconciled with the fundamental laws of nature. The motions of individuals in a sea of people cannot be modeled and the ramifications of two streams of people on collision course cannot be predicted. Immobile object add another level of complexity. Outside the coffee shop remains the gaggle of lady shoppers, bewailing the cruel attack they have fallen victim to. While they are still collecting themselves in a way that, again, only the British are capable of, the crowd sweeps them up and washes them away, towards the lights of Regent Street.
Darkness set in hours ago, swallowing the skies overcast with sadness, but it is not night yet. Star-shaped nets weaved from points of light stretch between the buildings on either side of the street. A constant blue twinkle dribbles sluggishly from the swaying meshes, replacing distant stars invisible behind invisible clouds.
Darkness has contracted the space above the pre-Christmas rush. Façades are lit to the third floor at most, and beyond the carpet of light that blankets Regent Street, the void of space remains unseen. The town has been compacted into two dimensions, oppressing anyone who attempts to walk with his head held high.
I look up again. The zombie is still there, but the window is different this time. Warm clothes for the Scottish gentry are draped over boxes of sienna and ochre. I'm outside, looking in and realize that I stare at my reflection. The zombie is me. Cold, wet, cross-eyed and dead-tired, I've been erring through Central London for the past hour and a half. I've been looking for a coffee shop to warm up and for a quick nap, but all tables were occupied and all seats taken.
Now I'm left with Tartan vests and cardigans. Suddenly, a 94 screeches to a halt next to me, yanking me from my textile reverie. With a terminal effort, all that I'm capable of today, I climb aboard, struggle upstairs and slouch into a seat. My head, already unconscious, bangs against the window with a thud. While the bus takes me west, I dream of sleep.
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